The new set is dominated by two massive LED video walls, including a five-panel display opposite the host’s desk that can be used to show multiple video feeds for remote guests and correspondents or combined to display one large image.Īdditionally, the center screen can be moved up to 17 feet away from the wall via a motorized arm to draw focus to a specific element. The Martin fixtures allow us to work at a higher color temperature to match the displays.” When you use incandescent light, you have to color-correct the displays down to 3,200 degrees, but most displays are not designed to operate at that color temperature. The big reason is that most of the set is dominated by displays.
“When the Studio B project came up, I decided to move forward and make it an all-LED installation. “We had previously talked about converting Studio A to LED, but budgets and COVID put that project on the back burner,” says Bruce Ferri, owner of Ferri Lighting Design & Associates. Configurable for beam angles of 19, 26, 36 or 50 degrees and compatible with third-party lens tubes as well as a wide range of accessories, ELP CL fixtures offer excellent flexibility. A maximum Color Rendering Index (CRI) of 90 allows the ELP CL to reproduce color naturally on camera, making it an ideal fixture for television studios.
The leading color LED ellipsoidal fixture in its class, the Martin ELP CL delivers up to 6,900 lumens with a broad color temperature range of 2,000 to 10,000 degrees Kelvin and an RGBAL Luxeon Rebel LED engine for vibrant, saturated hues. When anchor Shepard Smith joined CNBC in July 2020 to host The News With Shepard Smith, the network took the opportunity to completely renovate its 3,600 square-foot Studio B set.įLDA selected Martin ELP CL fixtures as the main light for illuminating talent and scenery, deploying a total of 226 in Studio B’s lighting rig.
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